Item 805 - Midnight Cowboy, from the film of the same name

Title and statement of responsibility area

Title proper

Midnight Cowboy, from the film of the same name

General material designation

    Parallel title

    Other title information

    Piano instrumental

    Title statements of responsibility

    Title notes

    Level of description

    Item

    Reference code

    CA MDML 015-2-805

    Edition area

    Edition statement

    Edition statement of responsibility

    Class of material specific details area

    Statement of scale (cartographic)

    Statement of projection (cartographic)

    Statement of coordinates (cartographic)

    Statement of scale (architectural)

    Issuing jurisdiction and denomination (philatelic)

    Dates of creation area

    Date(s)

    Physical description area

    Physical description

    Publisher's series area

    Title proper of publisher's series

    Parallel titles of publisher's series

    Other title information of publisher's series

    Statement of responsibility relating to publisher's series

    Numbering within publisher's series

    Note on publisher's series

    Archival description area

    Name of creator

    (1933-2011)

    Biographical history

    English composer and conductor John Barry Prendergast spent his early years working in cinemas his father owned which influenced his musical taste and interests. He composed the scores for 11 of the James Bond films between 1963 and 1987, and also arranged and performed the James Bond Theme to the first film in the series, 1962's Dr. No. He wrote the Grammy- and Academy Award-winning scores to the films Dances with Wolves and Out of Africa, as well as The Scarlet Letter, The Cotton Club, The Tamarind Seed, Mary, Queen of Scots, Game of Death, and the theme for the British television cult series The Persuaders! In a career spanning over 50 years he was appointed OBE for services to music.
    Barry's music, variously brassy and moody, achieved very wide appeal. His love for the Russian romantic composers is often reflected in his music; in his Bond scores he unites this with brass-heavy jazz writing. His use of strings, lyricism, half-diminished chords, and complex key shifting provides melancholy contrast – in his scores this is often heard in variations of the title songs that are used to underscore plot development. As Barry matured, the Bond scores became more lushly melodic.
    Barry received many awards for his work, including five Academy Awards and a BAFTA Award for the Best Film Music as well as two Grammy Awards and ten Golden Globe Awards nominations, winning once for Best Original Score for Out of Africa. He became a Fellow of the British Academy of Songwriters, Composers and Authors and in 2005 was made a Fellow of the British Academy of Film and Television Arts.
    Apart from the Bond films, his body of work includes some 90 other film scores, some dozen television film scores, five musicals, and about a dozen singles.

    Custodial history

    Scope and content

    Notes area

    Physical condition

    Immediate source of acquisition

    Arrangement

    Language of material

      Script of material

        Location of originals

        Availability of other formats

        Restrictions on access

        Terms governing use, reproduction, and publication

        Finding aids

        Associated materials

        Related materials

        Accruals

        Alternative identifier(s)

        Accession no.

        D805

        Standard number

        Standard number

        Access points

        Subject access points

        Place access points

        Name access points

        Genre access points

        Control area

        Description record identifier

        Institution identifier

        Rules or conventions

        Status

        Level of detail

        Dates of creation, revision and deletion

        Language of description

          Script of description

            Sources

            Accession area