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These papers comprise office files for the Parks and Playgrounds Association from 1902 to 1972, and for the Community Garden League from 1933 to 1959. The records of the Parks and Playgrounds Association include administrative and financial records, scrapbooks, photographs, public relations material and information files. Administrative records consist of general and committee minutes, 1902-1972, annual reports, 1902-1964, personnel files, 1937-1947, files of correspondence and memoranda on individual sites as well as themes, e.g. water pollution, 1906-1972; and various surveys and studies, 1912-1967. Financial operations are documented by budgets, 1960-1971, financial statements, 1948-1967; ledger sheets, 1951-1961; and invoices, 1939-1957, 1967. Scrapbooks of newsclippings cover the periods 1902-1904, 1916-1932, 1935-1937, 1939, and 1949-1964; some scrapbooks are thematic, e.g. one on the Mount Royal tram line. Over 1,000 photographs taken ca 1906-ca 1960 show parks, playgrounds, landmarks, street scenes, recreation activities, and the work of the Association. Public relations files, 1937-1952, 1955-1962, contain press releases, briefs, petitions, legislative bills, and correspondence related to lobbying and public awareness. Information files contain largely printed material on parks and recreation in Canada and the United States, 1935-1968. Administrative records of the Community Garden League include minutes of its general committee, 1934-1952; annual reports, 1933-1959; correspondence and information files (1938-1949), and notices, 1938-1953, 1959.

The fonds consists of minutes of meetings of the Montreal Physiological Society (1947-1955), and one issue of McGill Daily (Feb. 19, 1943)

This archive contains administrative and financial records of the Montreal Stock Exchange/Montreal Exchange and its subsidiary companies, and of the Montreal Curb Market/Canadian Stock Exchange.

Typescript of the Beatty Lecture entitled "By the river of Hochelaga - the land the French found".

The Mountain family papers consist of two albums. The first contains watercolours and sketches (probably by the daughters of Bishop Mountain, though only a few are identified) of scenes in Québec and Europe, as well as flowers and birds, and copies of Indian designs. There are also prints showing Swiss folk costumes. The second album is entitled 'Family Poems', and many are by Mountain. These are largely moral and lyrical relections, with some occasional verse and translations.

The fonds contains an autobiographical essay entitled "My Life at Stanstead and McGill, 1902-1910".

The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

The fonds consists of documents and photographs relevant to the history of the NAJC, particularly as regards the 1988 redress by the Canadian government. The scope predominately covers the period from 1987 to 1989, and includes correspondence, census data, briefs, minutes, surveys, and internal newsletters.

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

The Society's bank book,1913-1925 and receipt book, 1924-1925, are accompanied by a newspaper account of its annual outing in 1889, and a photocopy of the notice of a meeting, 1890.